陆逸轩：两者都有。当然，非常刺激，因为几乎每天都要演出。对我来说，每一场音乐会都不是“完成一项工作”，也不是像机器一样重复演奏同样的曲目。我必须非常投入地、以一种个人化且情感化的方式去与作品共处，要在舞台上把我能做到的最好状态呈现给观众，每一场演出其实都会“消耗”掉很大的能量。正因为如此，我一般不喜欢连续演出。为了比赛付出那么多之后，是需要时间恢复和充电的。
The reason is that I would be relying on many different applications.
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然而，2025年的百威亚太仍未能走出下滑困局。
That mismatch is where the trouble starts. When feedback latency is measured in years, narrative fills the gap. Instead of evidence, teams rely on ideology, inevitability claims, and the reputation of the founding team. The language shifts. Early on, you hear user feedback and honest constraints. Later, you hear "long-term vision" and "misunderstood by the market."